music-face: Chill out Lounge

music-face: Chill out Lounge: "Turning Point (2009)"

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FauxReveur - Chill Set XVII (2009)

FauxReveur - Chill Set XVII (2009)
Artist:FauxReveur
Album title:Chill Set XVII (2009)
Genre: Ambient / Chillout / Downtempo
Format: MP3 / 320 kbps
File size:: 185.8 Mb

Tracklist
FauxReveur - Chill Set XVII (2009)

Genre: Ambient / Chillout / Downtempo
Format: MP3 / 320 kbps
01. Solar Fields - Sol
02. Leama and Moor - Waiting (Gift Silent Storm Mix)
03. Dream Lab - Cryogenic Suspension (Marco Torrance's Filmbient Mix)
04. Vargo - Infinity (Original Mix)
05. Winona - The White Room
06. Code Indigo - Rapture
07. Skeptical - Song for Dylan (Original Mix)
08. Ulrich Schnauss - Shine
09. Green Sun - The First Birth (Original Mix)
10. Solarstone & JES - Like a Waterfall (Lime Chill Remix)
11. Azior - Sunset at Myvatn (Original Mix)
12. Sleepwalker - A Tear for Kursk (original Mix)
13. Sarah Brightman - Eden
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FauxReveur - Chill Set XVII (2009)
File: FauxReveur_Chill_Set_17_2009.rar

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VA - Cafe Del Mars Spacelounger Vol.2 (2009)

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Balearic Sunset Cafe (2009)

::Balearic Sunset Cafe (2009)::
Genre: Сhillout / Lounge / Downtempo
Album:Balearic Sunset Cafe (2009)
Label: Audio Lotion Recordings
Rip date: 16 May, 2009
Cat.#: LOTIONCOMP031
Source: WEB
Quality: 320 kbps / 44,1Hz / Stereo
Tracks: 25
Total time: 141:37 min
Size: 324,5 MB

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Tracklist:Balearic Sunset Cafe (2009)
01.King Midas - Bajoran Sunrize (Original Mix) 06:10
02.Planet Lounge - Bay of Hope (Original Mix) 05:27
03.Chill Bros. - Cafe Del Mare (Original Mix) 06:19
04.Windowwalkers - City Speaks (Original Mix) 04:12
05.Bioomfield - Cool Blue Water (Original Mix) 05:23
06.Pianochocolate - Evening Shadow (Original Mix) 05:25
07.Don Gorda Project - Feelin Free (Original Mix) 05:46
08.Chimay - Go and See (Original Mix) 06:23
09.Climatic - Hazy Days (Original Mix) 06:28
10.Mucho Mambos - Ibiza Moments (Original Mix) 06:13
11.Andreas Lutz - Jammin on A Sunny Day (Original Mix) 04:07
12.Gods Blue Chest - Leaving London (Original Mix) 05:57
13.Climatic - L Horizzonte (Original Mix) 05:08
14.Matthew Kramer - Life Makes Sense (Chillout Mix) 06:48
15.Mannel - Matrac Orchestra (Original Mix) 04:14
16.Jerk House Connection - Mother Blues (DJ Puku Chill Out Remix) 05:05
17.Balearic Paradise - Night in Ibiza (Lounge Cafe Mix) 05:02
18.Miraflores - Praia Brava (A Drop of Funk Mix) 05:28
19.Bob Zopp - Slipping (Original Mix) 05:37
20.Nigel Antonio - Sunset Hymn (Original Mix) 06:34
21.Sunset - Sunset Romance (Original Mix) 05:49
22.Lenny Mac Dowell - Te Quiero (Flamenco Chill Remix) 06:47
23.Domenic - Ten Years (Original Mix) 04:50
24.Solee - Timba (Deep Dive Corp Remix) 05:02
25.Sole Saver - Your Dreams (Original Mix) 07:23

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Croatia the Opening 2009

::Croatia the Opening 2009::
Artist: VA
Title: Croatia the Opening 2009
Label: Enormous Tunes
Cat#: 7640130853805
Genre: Chillout
Quality: 320 kbps / 44,1Hz / Stereo
Released: 09.05.2009
Tracks: 14
Size: 171,3 MB
Uploaded: Uploaded.to

Tracklist:Croatia the Opening 2009

01...Diascries - Anemone (Original Mix) 05:34
02...Stan Kolev - Back to Mine (Original Mix) 06:28
03...Dinka - Breathe (Chill Out Mix) 03:28
04...Diascries - Casino Royale (Original Mix) 03:51
05...DJ Tatana - Dont Be Sad (Original Mix) 03:57
06...Schodt - Good Cop Bad Cop (Original Mix) 07:15
07...Dinka - Hopelessly Devoted (Original Mix) 03:17
08...Matan Caspi - I Feel it (Original Mix) 06:59
09...Diascries - Im the One You Warned Me of (Original Mix) 06:14
10...Chris Reece - Overflow (Original Mix) 04:29
11...Schodt - Sunstrike (Original Mix) 05:35
12...Opium Lounge - Tears for Monks (Original Mix) 07:58
13...Scrooge - the Storm (Original Mix) 03:23
14...Jerome Isma - Ae - Underwater Love (Original Mix) 06:15

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relaxation music™ ambient,chill out,chill out lounge,jazz,deep house

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Alexander Rybak - Fairytale ( Eurovision 2009 Winner )

NORWAY WINS EUROVISION SONG CONTEST!
Alexander Rybak - Fairytale Eurovision 2009


Above: Alexander Rybak - Fairytale ( Eurovision 2009 Winner )

After an exciting voting in front of thousands of people in a fully packed Moscow Olimpisky Indoor Arena and millions of TV viewers all over Europe, it was finally Alexander Rybak from Norway who received the highest number of points from televoters and juries from the 42 countries participating in this year's edition of Europe's favourite TV-show! Norway managed to gather 387 points altogether - a new record! -, followed by Yohanna from Iceland with 218 points and Azerbaijan's AySel & Arash who collected 207 points. You can find the full results of the Grand Final here.
Europe experienced a breath-taking show live from the Olimpisky Indoor Arena in Moscow tonight with 25 acts from 25 countries giving their very best. 20 of these had qualified from the two Semi-Finals while host nation Russia and the so-called 'Big Four' - France, Germany, Spain and the United Kingdom - were automatically set for the Final. After all 42 countries had voted, it was Alexander Rybak from Norway who was the lucky winner with his song Fairytale, collecting 387 points altogether.
Alexander Rybak was born in Minsk (Belarus) on the 13th of May, 1986. He grew up in Nesodden just outside the Norwegian capital Oslo. Alexander has played violin and piano since he was five years old, he also composes his own music and sings. Alexander has performed with artists like Arve Tellefsen, Morten Harket, Hanne Krogh and Knutsen & Ludvigsen. In 2006 he won the Norwegian talentshow Kjempesjansen with his own song Foolin’. Alexander has performed with one of the worlds most celebrated violinists, Pinchas Zukerman. He also played the role of the fiddler in Fiddler On The Roof at Oslo Nye Theatre (2007) and has a role in the forthcoming movie Yohan - Child Wanderer which will be released in August 2009.


YouTube-Alexander Rybak - Fairytale ( Eurovision 2009 Winner )

LYRICS
Years ago when I was younger
I kinda’ liked a girl I knew.
She was mine, and we were sweethearts,
That was then, but then it’s true

I’m in love with a fairytale
Even though it hurts.
‘Cause I don’t care if I lose my mind;
I’m already cursed

Every day we started fighting,
Every night we fell in love.
No one else could make me sadder,
But no one else could lift me high above

I don’t know what I was doing
But suddenly we fell apart.
Nowadays I cannot find her.
But when I do we’ll get a brand new start

I’m in love with a fairytale
Even though it hurts.
Cause I don’t care if I lose my mind;
I’m already cursed

She’s a fairytale
Yeah
Even though it hurts.
Cause I don’t care if I lose my mind;
I’m already cursed
----------------------------------------
Biography

Alexander Rybak, representing Norway with his Fairytale, is a true wonderkid. He's written his own song, will be starring in a movie this summer and got the record amount of votes in the national selection!
Alexander Rybak

Alexander Rybak was born in Minsk (Belarus) on the 13th of May, 1986. He grew up at Nesodden just outside the Norwegian capital Oslo.

Alexander has played violin and piano since he was five years old, he also composes his own music and sings. Alexander has performed with artists like Arve Tellefsen, Morten Harket, Hanne Krogh and Knutsen & Ludvigsen.

In 2006 he won the Norwegian talentshow Kjempesjansen with his own song Foolin. Alexander has performed with one of the world's most celebrated violinists, Pinchas Zukerman, he has won Anders Jahres Culture Price and he’s been the concertmaster for Norway’s largest symphony orchestra for youths, Ung Symfoni, in Bergen.

He also played the role of the fiddler in Fiddler On The Roof at Oslo Nye Theatre (2007) and has a role in the forthcoming movie Yohan - Child Wanderer (August 2009).

Alexander Rybak is an artist you will be hearing more from in 2009!
FRIKAR

FRIKAR dance company aims to refine the roughness of the Norwegian dance called "halling". The company from the mountain valleys of Norway has performed with the Norwegian National Ballet as well as Oslo Philhamonic Orchestra, and has on three years become Norways most sold out vitamin injection through TV successes as So You Think You Can Dance Scandinavia.

Norways got talents and the Eurovision song contest winning the Norwegian finals with Alexander Rybak. FRIKAR dance company has performed in China, Egypt, Algerie, Zimbabwe, Brazil, USA and all over Europe, touring with 4 full night productions in traditional and contemporary dance, break dance, capoeira and aerial dance. The vikings brought the 2000 years old halling dance to Russia, and 100 years ago the hallingdancers brought head spin to USA too. Through Eurovision FRIKAR dance company wants to spread joy with its playful dance allover Europe exposing the familiarity across the borders between Norway and the cossack traditions of Russia.
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Alexander Rybak: "I won because I had a story to tell."


After an exciting show, the winner of the 2009 Eurovision Song Contest is known - it's Alexander Rybak from Norway! Right after the Final, a press conference was held where he answered the questions of the press.

Alexander Rybak and his dancers started the winner's press conference dancing on the table and singing their entry Fairytale. Afterwards he addressed the press, saying he had initially thought victory didn't matter, but now that he won, he found out that it did matter after all. The Head of the Norwegian delegation, Stian Malme, went on to congratulate the young singer, telling him that he was very proud of him.

The first question that was asked to Alexander Rybak was if the fact that he was born in Belarus helped him to win the 2009 Eurovision Song Contest. He explained that Belarus is known for the melancholy of its people, whereas the happiest people in the world live in Norway. For him, the mix of both was a key for success. Another journalist reminded him that he had initially lost the Norwegian version of Pop Idol, and he asked him if he had ever thought he could lose the Eurovision Song Contest as well. He replied that, in his opinion, he lost Norwegian Idol as he wasn't among the best, but he won the Eurovision Song Contest as he was one of the best singers and he had a story to tell.

When Alexander Rybak was asked why he stopped crying even though he was close to tears just before his winning performance, he said that, as an artist, he knew he had to be professional and focused in order to give the public what they deserve - a good performance. A journalist made the proposal that Alexander Rybak could write a song in Russian language and open the 2010 Eurovision Song Contest in Oslo with its performance. He replied that he would most definitely do so!

Tell us what you think about the winner!

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Tortoise - Beacons Of Ancestorship [thrilljockey, 2009]

TORTOISE RELEASE BEACONS OF ANCESTORSHIP JUNE 23RD ON THRILL JOCKEY. FIRST FULL-LENGTH OF NEW MATERIAL IN FIVE YEARS.
The great majority of artists spend their formative years, if not their entire careers, working to shake off the gravitational pull of their predecessors, and the many masters and masterpieces that came before them. Rare indeed is the artist who outgrows their early influences, and instead become one of the markers by which other groups are measured. Almost alone among bands of the last two decades, Tortoise is a group that resists easy metaphors and analogies, who can be described as sounding like only themselves and no one else. Twenty years after its founding, the band’s signature and singularly inimitable sound-a fluid intersection of dub, dance, jazz, techno, rock, and classical minimalism, with no part overwhelming or dominating the whole-remains an American and international original. Even more unusually, they seem to have arrived at their sound with almost no apprenticeship to speak of; to judge from their early singles and albums alone, they seem to have come into being with their musical identity and DNA fully formed, like Athena from the forehead of Zeus. Further, while the group has spawned countless imitators, heirs, and followers-sincere, flattering, and otherwise-Tortoise remains unique in the world of contemporary music for their boundless intellectual curiosity, their unmistakable compositional voice, and their synthesis of seemingly contradictory sound worlds far from their doorstep.
Beacons of Ancestorship is Tortoise’s sixth full-length album, and their first release of new material in five years, since 2004’s It’s All Around You. In the interim, the group also released and toured behind the 2006 career retrospective box set A Lazarus Taxon, and an album of covers with vocalist Will Oldham by the likes of Elton John, Bruce Springsteen, Richard Thompson, and The Minutemen, entitled The Brave and the Bold. Additionally, the individual members have kept busy with various other projects, including but not limited to Exploding Star Orchestra, Bumps, Fflashlights, and Powerhouse Sound.
A characteristic Tortoise album is one that traverses an encyclopedia of styles and reference points, a document of where musical intersections and dialogue are occurring at a given moment in time. Beacons of Ancestorship is no different, with nods to techno, punk, electro, lo-fi noise, cut-up beats, heavily processed synths, and mournful, elegiac dirges. We see these ideas working out in compositions like “High Class Slim Came Floatin’ In,” an eight-minute track which playfully references the world of ecstatic rave and dance culture with a curiously ambivalent, multi-part suite overlaid with robotic, machine-sounding melodies that stop and start in several different time signatures before the song’s ultimate resolution; and again in “Yinxianghechengqi,” which begins as a straightforward uptempo math-rocker before steadily accelerating into a wall of fuzzy atonal sqwonk.
There are many moods, styles, and modes in the Tortoise songbook, of course-often, in the course of a single composition. Consistent throughout, however, is what might be called a pervasive element of group play, or ensemble-mindedness, as opposed to emphasis on a virtuoso soloist or frontman. (Think Robert Altman versus Robert Plant.) In the same sense that the string quartet and all small-ensemble chamber music can be thought of as an intelligent conversation among equals-violins, viola, and cello taking turns, expressing opinions, joining voices and then coming apart, as also occurs in elevated discourse-so, too, the calling card of a Tortoise song is the experience of a sound being worked out as a conversation among the individual and interrelated parts-of an ensemble thinking collectively and in group dynamics through the expression of a multi-layered musical thought.
Tortoise’s Beacons of Ancestorship is out June 23rd on Thrill Jockey. Additionally, the first track on the album will be included on a Thrill Jockey compilation, Records Toreism, being released on Record Store Day on April 18th, and the band will be releasing a series of 5″ records following the album’s release. Tortoise will also be playing the Pitchfork Music Festival on Friday, July 17th. Their performance is part of the “Write the Night: Set Lists By Request” series where ticket holders can vote on which of the band’s songs they’d like to hear during their set.

tracklist:
01. High Class Slim Came Floatin’ In
02. Prepare Your Coffin
03. Northern Something
04. Gigantes
05. Penumbra
06. Yinxianghechengqi
07. The Fall Of Seven Diamonds Plus One
08. Minors
09. Monument Six One Thousand
10. de Chelly
11. Charteroak Foundation


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Jesse Rose - What Do You Do If You Don’t? [2009]

Artist: Jesse Rose
Title: What Do You Do If You Don’t?
Label: Dubsided
Cat.#: N/A
Format: Promo CD
Released: 3 March, 2009
Genre: Electro
Jesse Rose - What Do You Do If You Don’t? [2009]Even though he was among the pioneers of fidget house, there has always been something more to Jesse Rose, whether be it his collaboration with Henrik Schwarz (”Stop, Look & Listen”), friendship with the Get Physical posse (Body Language Volume Three), gigs in the Canadian wilderness (Rouyn-Noranda, Québec) or unlikely residency at Panorama Bar. So while the sub-genre’s other luminaries are busy indulging their inner b-boy (Sinden), flirting with mainstream electro-house (you can still feel Touché’s, er, touch coming from underneath Fake Blood’s Stormtrooper mask) or further developing their blend of breakbeat and British old skool hardcore (Herve), Rose has gone the other way yet again and recorded something truly unexpected: a pop album.
Clocking in at only 48 minutes, What Do You Do If You Don’t? is a concise collection of Radio 1-friendly house that takes the edge of fidget and replaces it with a glossy sheen. Co-produced by long-time partner Taylor and mastered by Berlin-based techno maverick Jan Driver, What Do You Do has the kind of attention-to-detail rarely seen this side of Timbaland.
Recruiting Hot Chip to star on the album’s first single doesn’t hurt the cause. While the original 12-inch version of “Forget My Name” was a deceiving, underwhelming affair—mostly because it never really got, over the course of its 11 minutes, anywhere—when reduced to a perkier length on the album, it suddenly feels more appropriate, and sets the tone for the rest of the record. “Day Is Done,” the other Hot Chip collaboration, is slower in tempo and more subtle. It’s What Do You Do If You Don’t?’s official ballad and has the same heartwarming pathos found on Made in the Dark’s more contemplative moments. “Miss Taker,” an obvious future single that features fellow Londoner David E. Sugar, is from the same pop breed—albeit with an “oi oi oi”-type singing that comes straight out of Chav-ville—and is obviously destined for the drunken masses.
Elsewhere, Rose’s sound should be familiar to anyone who has been into Taylor and Rose’s production techniques: it showcases their bouncy and beefy trademark bass lines ornamented with things like quirky whistling (”Well Now”) or a light piano motif with almost Beatles-esque harmonies (”You’re All Over My Head”). It’s all fun and diverting, yet you can’t help but notice how quickly the duo exhaust the sub-genre’s very sense of originality. And when they try to take it somewhere else, as on the two excursions into what could only be called fidget jazz (”Night at the Dogs” and “Touch My Horn”), it gets a bit awkward, if not totally inoffensive, as on the two-step/UK garage oddity that closes the album and unfortunately recalls Craig David.
When it fully indulges its pop inclinations, What Do You Do If You Don’t? is catchy—even addictive—if a little bit silly in its desire to be prismatic at all costs (in a good, put-a-smile-on-your-face way). When it tries to encapsulate the effervescence of fidget anthem “Rikkalicious” into three minutes however, it sadly sounds superfluous and redundant. In other words, it’s like any pop album: half successful.

tracklist: Jesse Rose - What Do You Do If You Don’t? [2009]
01. Forget My Name ft. Hot Chip
02. Well Now
03. Pop Yer Porn
04. Miss Taker ft. David E Sugar
05. Wine Gum
06. Asided
07. Night At The Dogs
08. Day Is Done ft. Hot Chip
09. Heavy Still ft. Afra & The Incredible Beatbox Band
10. You’re All Over My Head
11. Touch My Horn
12. Never Ending
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Proem - Till There’s No Breath [2009]

Proem delivers his 8th album and first for the newly awakened Nonreponse imprint. This time out Richard Bailey revisits themes that made his “darker still” ep one of Enpeg Digital’s most popular releases. “Till there’s no breath” is somewhere between dream and nightmare and is clearly an album where Bailey takes an honest and emotionally unsettling stab at his take on dark ambient. Somewhere between the undefined washes of Lustmord and the ebb and flow of Eno “Till there’s no breath” is a much welcomed addition to Proem’s body of work.

tracklist:
01. these are demands
02. a skin that crawls
03. a skin that burns
04. till theres no breath
05. faceeater
06. coil in small field
07. deadplate III
08. deadplate IV
09. alt enter the busket
10. dull throbbing
11. grain filters can dream too
12. hope is great but we need caffeine

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Jon Hopkins - Insides (2009)

Artist: Jon Hopkins
Title: Insides 2009
Label: Domino
Genre: Electronic
Style: Modern Classical, IDM, Ambient
Jon Hopkins - Insides (2009)

Resolving the differences between competing impulses
Classically schooled in both concert piano and UK rave, Jon Hopkins finds crossing points for the incongruent sources he looks to for inspiration. His resume includes work with Brian Eno and Coldplay, but for his third solo LP, Hopkins turned his attention to things far from the mainstream and created a complex sequence that starts with a rustic string chorus, moves through a mire of brutal dubstep and overwhelming bass and concludes in placid drifts of tiered melodies. Scatterings of found sound invade the margins where one song links to the next and Hopkins makes Insides play out as a single, intricately mapped thought. Everything makes more sense listened to in sequence, but that’s not to say there aren’t standout moments. The title track is rewind-worthy dubstep devastation, while “Colour Eye” is no less destructive while playing up the genre’s techno connections and signaling the end to the disc’s heavy-handed first movement. The disc’s 9-minute centerpiece “Light Through the Veins” patiently lets its shimmery melody build and fade along a natural path to signal the arrival of a rewarding new tone that sounds especially bright after the rugged start to the set. Hopkins does wonders matching formal training with underground experience.

Artist: Jon Hopkins
Title: Insides 2009
Label: Domino
Genre: Electronic
Style: Modern Classical, IDM, Ambient
Bitrate: 196kbit av.
Rip Date: 2009-04-21
Time: 48 : 24
Size: 69 mb

Tracklist:

1. The Wider Sun 2:34
2. Vessel 4:41
3. Insides 4:38
4. Wire 4:41
5. Colour Eye 5:11
6. Light Through The Veins 9:18
7. The Low Places 6:34
8. Small Memory 1:40
9. A Drifting Up 6:27
10. Autumn Hill 2:40

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Marco V - Propaganda (Part 1)

Artist:Marco V
Album:Propaganda (Part 1)
Label: In Charge
Catalog#: ICCD010
Format: CD
Country: Netherlands
Released: 12 May 2009
Genre: Electronic
Style: Progressive House, House, Techno, Progressive Trance
Marco V is considered to be one of the most influential producers of our time, with his music proving to be a driving force in shaping the modern tech-trance arena. His influence over a generation of fellow producers and DJs artists is quite unheard of with many touting Marco has THE reason they’re in dance music today.

Now he’s back, with his fourth studio album and the first in over three years, Propaganda. For a man whose touch has been so potent, he couldn’t have picked a more appropriate title. Spanning trance, techno, progressive and a more chilled out sound, this is Marco V at his best.

Artist:Marco V
Album:Propaganda (Part 1)
Label: In Charge
Catalog#: ICCD010
Format: CD
Country: Netherlands
Released: 12 May 2009
Genre: Electronic
Style: Progressive House, House, Techno, Progressive Trance

Tracklist:Marco V - Propaganda (Part 1)
1. Marco V - Unprepared 6:20
2. Marco V - Treviso 4:26
3. Marco V feat. Khashassi - Solitary Confinement 5:48
4. Marco V - Coma Aid 3:38
5. Marco V - Chemicals 5:52
6. Marco V - The Man Who Was There 5:50
7. Marco V - Ritual Purification 5:20
8. Marco V - Digital Identity 5:11
9. Marco V - A Journey Into Sound 5:24
10.Marco V - Counterpoint 5:17
11.Marco V - WRC Theme 5:10

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The Dead Sea - The Dead Sea

Sydney three-piece The Dead Sea is composed of vocalist, guitarist and video artist Tim Bruniges, bassist David Trumpmanis, and drummer Nick Kennedy - the latter two musicians involved with other Sydney-based projects such as Big Heavy Stuff, Bluebottle Kiss, The Cops and Sarah Blasko. While I will apologise for the preceding emboldened list of deceivingly namedropped artists that may have stuck out as you skimmed this paragraph, it is interesting and worth considering how such an indie-centric endowment of musical capacity could result in this project, The Dead Sea, that could not be further removed stylistically from any of the aforementioned artists.

The Dead Sea’s motivation seems to stem from the same place as latter-day Mogwai, who after years of defining the parameters of the (now tattered) post-rock genre, have decided, like Tarantino and Natural Born Killers, to disown its bastardised and debased remnants for greener, boundless experimental pastures. The difference here is that The Dead Sea have skipped the formalities of confining style establishment and gone straight to their calling, which is to veer a little to the left of post-rock’s beckoning. Listening to the opener, “Slow Jet”, gives off this impression - the grumbling howls of synth and tribal drumming are key symptoms of a band shaking off the post-rock infection.

The thick, Hammock-like howling atmospherics of the first EP suggested that their full-length would be anything but what they’ve concocted on their debut. It is by no means an epic recording, running on ten tracks that clock in at a conservative 40 minutes. It doesn’t constantly erupt in climax-oriented sonic enormity, instead opting to leave the reverb to a relatively sparing presence. Even the style, composition and technical execution of the album, when isolated, in no way signal groundbreaking, novel gestures by any stretch of the imagination. Instead, the album draws its fortitude from the forward momentum of its piece-to-piece fluidity. The Dead Sea have mastered the ability to identify, fuse and arrange their far-reaching breadth in a way that allows each number to say its piece concisely without ever overstaying its welcome. The efficiency under which The Dead Sea dictate and convert their alternating styles, that would otherwise so easily be the cause for disconcerting and disruptive listen, instead becomes the agent of a wondrous aural treat.

Of the ten tracks, I would say only four are solid, determined, structurally integral pieces, with the rest floating around the two-minute mark serving as ambient filler. That is not to suggest that these tracks are superfluous, quite the opposite; these interludes give the record the wiggle room it needs to segue seamlessly, and they do this without ever hampering or undermining their own aesthetic sensations or the aesthetic sensibility of the album's entirety. It never devours precious minutes with extended introductions, self-indulgent brackets of feedback or repetitive phrases, and it's this efficiency that makes the experience compelling. The bigger pieces do well to accommodate themselves and their ranging styles, from the hypnotic indie rock of “The Devil Bends”, to the dangerously close flirtation with dynamic post-rock on “Zabriskie Points”, to the the closing cinematic ambience of “Bandicoots”. On top of this, “Departure Gates”, a piece that certainly made an impression on the reviewer of the EP, Lee Whitefield, who said “its infectious little tune burrows its way into my subconscious in a way which very few artists of this ilk are able to do so”, (a sentiment I will happily steal) finds a slightly polished version of itself a home on the LP.

The Dead Sea have certainly had their share of attention since 2007. On their myspace, they’ve humbly publicised the fact that “Respire”, from the old EP, was used in an episode of CSI: Miami. Now, if it doesn’t already go without saying that any association with a badass like David Caruso ought to help their credibility skyrocket, then perhaps this unveiling of a thoroughly seductive, tightly packaged self-titled LP, that exceeded all expectations after the scope offered on the stylistic snippets of the EP, should convince you that The Dead Sea are not an outfit going away any time soon.

[Tracklist]

1. Slow Jet
2. Okono
3. The Devils Bends
4. III
5. Zabriskie Point
6. Nulla Desiderata
7. Little Lights
8. Departure Gates
9. Banquet
10. Bandicotts

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Sylvain Chauveau - The Black Book Of Capitalism

Sylvain Chauveau is one of those artists we hear mentioned a great deal, yet he has proven strangely elusive when it comes to tracking down his work. Best known (and easiest to get hold of) is his seminal Fat Cat album 'Un Autre Decembre' which set him up as one of the world's premier exponents of the electronic/classical sound, but Sylvain had already been releasing records long before that album hit the shelves. 'The Black Book of Capitalism' originally appeared in 2000 on the French DSA imprint and sadly never hit UK shores, but Type (Sylvain's new base of operations) have managed to put together a gloriously remastered and repackaged version for the wider world to hear at last. Those of you who have been enamoured with the artist's stark, minimal sound might be shocked at first to hear the variety on offer; 'The Black Book of Capitalism' is far from a mere classical record, and shows a breadth of sound never again seen
in Sylvain's catalogue to date. From the mournful, delicate piano-work of 'Et Peu a Peu les Flots...' we musical expertise, with the doomy almost Bohren-esque jazz of 'Hurlements en Favour de Serge T.' and through a chiming fairytale with 'Derniere Etape avant le Silence'.

There are almost traces of Angelo Badalamenti's work lost in the grooves here, with the
gauzy world of European cinema seeping from every crack and punctuating Sylvain's compositions with both confidence and a deft humour. It might be over eight years old now but nothing of the album has been lost with time, it has matured with age, showing new depths and character with every year that has gone by. With 'The Black Book of Capitalism' Sylvain delivered his most widescreen work so far and it's an absolute pleasure to be able to hear it again in all its glory.

..::Tracklist::..

01. Et Peu A Peu Les Flots Respiraient Comme On Pleure
02. JLG
03. Hurlements En Faveur De Serge T.
04. Le Marin Rejete Par La Mer
05. Derniere Etape Avant Le Silence
06. Dialogues Avec Le Vent
07. Ses Mains Tremblent Encore
08. Ma Contribution A L'industrie Phonographique
09. Geographie Intime
10. Je Suis Vivant Et Vous Etes Morts
11. Mon Royaume
12. Potlatch (1971-1999)
13. Un Souffle Remua La Nuit

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Turning Point (2009)

The Sound Of Everything celebrates its 5th anniversary and proudly presents Turning Point, the 9th compilation of Dimitris Papaspyropoulos, one of the top radio producers and compilers in Greece.
His career as a DJ began in 1985 and since then he has deejayed in several clubs and hosted the very popular Last Chance parties. He has worked as a radio producer, initially at Klik FM (1996-2001) and since then at Best Radio 92,6, beeing on air on Saturdays and Sundays 18:00 – 20:00. In addition he has remixed (Last Chance Remixes) and produced several songs by well known artists and groups. He has also conceived and compiled 9 CD compilations since 1999.
Turning Point is his last project and one of the best so far! It's an eclectic blend of the latest and freshest talent of the worldwide alternative and underground scene, classics and undiscovered talent.


Tracklist:

CD1

01. Mono-Follow The Map 03:47
02. Emancipator-Eve 05:44
03. Rubies Ft Feist-I Feel Electric (Tiedye Remix) 08:41
04. Bomb The Bass-Black River (Gui Boratto Remix) 07:13
05. Lulu Rouge-Melankoli 04:43
06. Various Production-Foller (Zan Lyons Remix) 05:25
07. The Dears-Crisis 1 And 2 03:41
08. B Sides-Kill 03:21
09. Pale Young Gentlemen-Clap Your Hands 03:00
10. Loner-Show A Little Love 03:41
11. Gotye-Hearts A Mess 06:05
12. The Raveonettes-Black White 03:35
13. The Flies-Walking On The Sand 03:04
14. Emiliana Torrini-Gun 05:43
15. Anne Clark-Boy Racing 04:16

CD2

01. Younger Brother-Ribbon On A Branch 07:44
02. Last Change Ft Craig Walker-Heaven 05:27
03. Lunatic Soul-Out On A Limp 05:28
04. Tom Baxter-Icarus Wings 06:24
05. Craig Walker-Siamese 05:52
06. Deadbeat Escapement-A Maze 04:45
07. Midnight Choir-Violence Of The World 04:04
08. Liam Mckahey And The Bodies-Inscription 05:16
09. Tenderloud-White Lines 04:18
10. Shearwater-Leviathan Bound 02:49
11. Luup-Through Your Woods 04:45
12. Sinead O Connor-Feel So Different 06:44
13. Buckethead Ft Azam Ali And Serj Tankian-Coma 05:40
14. The Associates-The Rhythm Divine 05:51
15. Fleetwood Mac-Oh Daddy 03:56

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Dntel - Early Works for Me If It Works for You II

Before the Postal Service grew from a charming side project into an omnipresent harbinger of indie-rock's growing commercial profile, there was a kid playing bass for a band called Strictly Ballroom while recording techno in his dorm room under the name Dntel. Jimmy Tamborello's solo electronic project wouldn't make much noise until his third record, Life Is Full of Possibilities, released in 2001 when hiring indie singers to vocalize over electronic compositions was a novel idea. Still, it wasn't just the vocal tracks that held Tamborello's breakthrough album together. Early Works For Me If It Works For You II compiles his first two albums on the Phthalo label with some heretofore unreleased material from around the time of his third. Much of the setstands in the long shadow cast by Warp Records' 90s roster, and Tamborello isn't shy about admitting that. But it also contains early experiments with the chilly but affecting instrumentals that filled in the cracks between Tamborello's more infamous collaborations, and it holds up better than you might think.

The material goes all the way back to 1994 and up through the early 00s, covering a fertile time for amateur electronic composers. Recorded in 1994, but released by Phthalo in 2001, Something Always Goes Wrong finds Tamborello just beginnging to flex his limbs. The distorted, non-repeating drum work throughout showed a love for Aphex Twin and u-ziq, but is never quite as intricate or sophisticated as either of those producer's work. "In Which Our Hero Finds a Faithful Sidekick" rides its breakbeats and yawning bass towards a vague and familiar spy-movie feeling, and while the 8-bit-sounding effects are a lot more conspicuous here than on Dntel's later records, the stretch from "In Which Our Hero Is Put Under a Spell" to "...Frees the Damsel in Distress" develops the slow and swooning vibe Tamborello explored much more fully in the near future. In contrast to his heroes, Tamborello's style was more cautious and uncluttered, making the most from his nascent ability.

While Something was Dntel's earliest material, Early Works For Me If It Works For You was his first release. From the first track on, Early Works... displayed bolder, faster, and more intricate drum patterns. Tamborello was getting better at emulating his influences, but something else was happening, too-- he often dips his toes into textures he'd later grow more comfortable with, like a hurdy-gurdy-like tone that sounds more like live instrumentation and a brief vocal sample on "Fort Instructions". You can also hear much of the melancholy keys and surging, almost soothing white noise that made his breakthrough, Life Is Full of Possibilities, so distinct. "Casuals" blends all these elements together equally: A vocal sample is even almost audible over an insistent, repetitious drum pattern and a melancholy melody, but all of it is washed-out and obscured by crackling distortion. It felt a little more slippery in terms of genre, but it also tapped a desolate, yet romantic emotional core.

CD 1 (Something Allways Goes Wrong)
1. In Which Our Hero Begins His Long and Arduous Quest
2. In Which Our Hero Finds a Faithful Sidekick
3. In Which Our Hero Is Put Under a Spell
4. In Which Our Hero Dodges Bullets and Swords
5. In Which Our Hero Frees the Damsel in Distress
6. In Which Our Hero Is Decapitated by the Evil King
7. In Which Our Hero Begins His Long and Arduous Ques [Seq Remix]
8. In Which Our Hero Was Taken by Surprise [Languis Remix]
9. S.O.S.
10. Machine and a Memory Keep You Alive

CD 2 (Early Works For Me If It Works For You)
1. Loneliness Is Having No One to Miss
2. High Horses Theme
3. Pliesex Sielking
4. Termites in the Bathtub
5. Fort Instructions
6. Curtains
7. Tybalt 60
8. Danny Loves Experimental Electronics
9. Sky Pointing
10. Casuals
11. Winds Let Me Down Again
12. Jewel States, "The Door Borders"

CD 3 (Early Works For Me If It Works For You II)
1. New Name
2. Incomplete 1
3. Paul Guitar
4. Don't Try
5. Serious
6. Darker Earlier
7. Smile Break
8. Incomplete 4
9. Moody
10. Slowdance
11. Fancy Ian
12. Jittery
13. Incomplete 2
14. Bluegrass (Short)
15. Mini
16. Laughs
17. First Day After the Worst
18. Ender

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A Journey Down The Well - Sorry Monsters I Have To Grow

A Journey Down The Well are known for their unique style, using classical instruments to create a special sound which flirts with rock, ambient and experimentalism.

“Sorry Monsters, I Have To Grow” is their second station on their journey; the strings create a smoky and haunting downtempo ambience with the piano; lyrical songs wink poetry.

The band was also backed by the members of Strandvägen Choir in the recording process. “Working with a choir has made a powerful impact, I can’t imagine ‘Sugarman’ and ‘Sorry Monster, I Have To Grow’ without their parts” remarks cellist Martin Bjelfvenstam.

According to the band members the album is about brutal wars, oppression of personality and trying to grow as a human being while leaving all the unnecessary fears behind. “Despite the bombs, despite the guns, despite people building prisons for themselves and others.” Taner Torun adds.

According to Anna Erneman, their contemporary classical influences move one step ahead in this album. “We are inspired by many elements. The chilly sound of post-punk, eye openers like A Silver Mt. Zion and Godspeed You Black Emperor; Brian Eno and many others... But in this album our sound, with hints of contemporary classical composers like Arvo Pärt, Richard Einhorn and Henryk Gorecki, is dominant.”...www.cdbaby.com

1 Sugarman
2 Sorry Monsters, I Have to Grow
3 I Will Never Become, What I'm Afraid Of
4 Bush Horror Movie Soundtrack
5 Two Beautiful Swans in a Dirty Lake
6 Happy Bird Day
7 New Abandoned Places On Earth

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36 - Hypersona

"Hypersona" is the debut release by 36 for his fledgling label, 3six Recordings. Produced over a span of 3 years, it represents the first in a series of three planned albums under the 36 alias.

Unfathomably rich textures combine with delicate instrumentation, and the ghostprint of lost transmissions struggle for their right to be heard. The cold warmth of radio static rushes the heart, whilst the tender melodies break it into a thousand pieces. Always beautiful, but with an unnerving sense of malice, "Hypersona" is like a twisted fairytale, where the outcome is never certain and light must always cast a shadow.

Drawing upon countless influences, but expressed in a personal, honest voice, "Hypersona" is a distinctive, original work, which ignores trends and sits comfortably in a space without time and place.


01 Signal
02 2249
03 Inside
04 Intercept
05 The Box
06 Nephyr
07 Beacon
08 Hypersona
09 Juliet
10 Dream Window
11 Forever
12 Untitled

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Reefer - Reefer

Label: Alpha Pup Records
Catalog#: APR024
Source: WEB
Release date: May-05-2009
Format: mp3
Quality: 320 kbps
Size: ~70 MB
Genre: Electronic / Reggae
Style: Trip-Pop / Experimental / Surf Pop / Downtempo

Tracklist:

01 (01:48) The Simplest Way
02 (04:31) May Baleen
03 (03:34) Body Heat
04 (03:53) Let It Go
05 (00:55) Five Hundred An Ounce
06 (03:16) Crony Island
07 (03:34) Hit and Run
08 (02:44) Blue Moon
09 (00:59) Until We Meet Again
10 (03:56) Hit and Run (Dntel Remix)
11 (02:43) Let It Go (Flying Lotus Remix)

Nicholas Thorburn, a.k.a. Nick Diamonds, has a curious preoccupation with nature. His experiences fronting indie-pop outfits Islands and The Unicorns are tinged with references to whales, rivers, and the sea. It then comes as no surprise that the prolific singer-songwriter’s debut effort with his newest project Reefer is heavily influenced by the Hawaiian landscape that spawned its creation. Recorded on the shores of Maui with hip-hop producer Daddy Kev, the duo incorporates the island’s gentle seaside rhythms to create a luscious soundscape composed of sonic waves and sun-drenched harmonies. The band’s debut self-titled work – originally given the cutesy name The Life Narcotic – takes its listener on a peaceful trek through weed-soaked Hawaiian beaches to the tune of euphoric strings and trippy beats.

Composed of six full-length tracks, three interludes, and remixes by Dntel and Flying Locus, Reefer delves into a variety of genres without losing its quintessential laid-back flavor. While composed sea-side, the collection’s surfy hits are toned-down with a subtle darkness characteristic of Thorburn’s other projects. One example is “Blue Moon,” a reworking of the classic ’30s ballad. While the track is a distinctive remake, it incorporates subdued beats, reminiscent of a day spent beach-side drinking coconut juice, overpowered by Thorburn’s ominous and foreboding vocals. This juxtaposition adds a delightful touch to the over-done classic, making it both blissful and slightly spooky.

One of the record’s better cuts is “May Baleen,” a loop-filled track touched with a slight reggae feel. Opening with a sample of an incoming tide, it encompasses all the bliss to be had drinking — and perhaps engaging in other narcotics — on a beach far away from home. “Let It Go” is a more composed ballad, though still tinged with the tranquil seaside loops that permeate throughout the rest of the record. All of the album’s tracks — interludes and remixes included — are composed of this serene feel, which begs the questions of whether or not Reefer is able to push itself beyond this one technique. As a whole, Reefer has proven its capacity for producing sunshine hits, but only time will tell if it will be able to push itself past the spaced-out beaches of Maui and towards more diverse soundscapes.

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Azaxx - The Exotic Delight Bay

Label: Tru Thoughts
Catalog#: TRUCD185
Source: CD, Album
Release date: May-09-2009
Format: mp3
Quality: VBR kbps
Size: ~70 MB
Genre: Electronic / Jazz / Latin
Style: Broken Beat / Downtempo / Latin Jazz

Tracklist:

01. Groucho 05:32
02. Zorbanissimo 05:17
03. The Pygmy Ballad 05:48
04. Autumn Dreamy 06:54
05. Carioca Paradise 05:24
06. Happy Mango 05:21
07. Beach Mambo 05:35
08. Fiesta Tropica 06:07
09. Smoothly Morning 06:33
10. Coco Nuts Bay 06:17
11. Ooba Ooba 06:45
12. Wild Strawberry Jelly 05:25
13. The Pepito Stroll 05:51

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Laurent Garnier - Tales Of A Kleptomaniac

Label: Play It Again Sam (PIAS)
Source: CDDA
Release date: May-11-2009
Format: mp3
Quality: 128 kbps
Size: ~70 MB
Genre: Electronic
Style: Electro / Breaks / House / Downtempo / Nu Jazz / Drum & Bass

Tracklist:

01. No Musik, No Life
02. Freeverse Part 1 With MicFlow
03. Gnanmankoudji (Horny Monster Mix)
04. Dealing With The Man
05. Last Dance @ Yellow
06. Desirless
07. Pay TV
08. Bourre Pif (Avant Bath Time)
09. Freeverse Part 2 with Tumi (Stripped To The Bone Mix)
10. Back To My Roots (Back To My Technodiziak Roots Mix)
11. Food For Thought With Winston Mc Anuff
12. From Deep Within

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Colors

The colors make up our lives, accompanying our joys and our travels.
As the colors of this world is unlimited, so the music is endless shades ...
The "COLORS" is not just a music collection. It is the journey to explore the flavors, the aromas and colors offered generously planet Earth.
A colorful mosaic of music from Spain, Argentina, Mexico, Italy, the Balkans, Africa, Turkey, with artists like Goran Bregovic, Sophie Solomon, Gotan Project, Lila Downs, Tribalistas, Tonino Carotone, Chambao, Ismael Lo, Sertab, Sezen Aksu, Fairuz, Monica Molina, Vinicio Capossella, Mariza and many others.

TRACKLIST:

CD1

1 MULATU ASTATQÉ - YÈGELLÉ TEZETA
2 TRIBALISTAS - JA SEI NAMORAR
3 CÉLIA MARA - JADE
4 ANGÉLIQUE KIDJO - BALA BALA
5 JULIETA VENEGAS - SIN DOCUMENTOS
6 CEUMAR - DINDINHA
7 GABRIELA MENDES - AUSÊNCIA
8 KÉKÉLÉ - TOKOBUKA MIKUWA
9 BORIS KOVAČ & LADAABA ORCHEST - BEGUINE AT THE END
10 ISHTAR - COMME TOI
11 NOMADIX - CHURA LIYA
12 ADRIANA VARELA - ABSURDO
13 DONNA MARIA - FOI DEUS
14 IVE MENDES - CASTICAIS
15 MONGO SANTAMARIA - MAMA PAPA TU
16 MIRIAM MAKEBA - PATA PATA
17 TONINO CAROTONE - AMOR JIBARO
18 KOSOVNI ODPADKI - CHE TEMPO
19 LES NÉGRESSES VERTES - SOUS LE SOLEIL DE BODEGA


CD2

1 GOTAN PROJECT - DIFERENTE
2 FEDERICO AUBELE - ESTA NOCHE
3 ISMAËL LO - DIBI DIBI REK
4 MÓNICA MOLINA - PEQUEÑO FADO
5 SUSHEELA RAMAN - LOVE TRAP
6 KAYAH AND GORAN BREGOVIC - TE NIE PTAK
7 SOPHIE SOLOMON - PIN PRICKS AND GRAVY STAINS
8 ANA LAÍNS - POUCO TEMPO
9 SAINKHO NAMTCHYLAK - LET THE SUNSHINE
10 SMOKE CITY - MR. GORGEOUS (AND MISS CURVACEOUS)
11 URBAN TRAD - SANOMI
12 ASIAN DUB FOUNDATION FEAT. SINEAD O'CONNOR - 1000 MIRRORS
13 KRONOS QUARTET & ASHA BHOSLE - DUM MARO DUM (TAKE ANOTHER TOKE)
14 SOUAD MASSI - MESK ELIL / CHÈVREFEUILLE
15 VANESSA BUMAGNY - RADIOGRAFIA
16 LILA DOWNS - PERHAPS, PERHAPS, PERHAPS
17 FAIRUZ - LE BEIRUT
18 KAYAH AND GORAN BREGOVIC - TA-BAKIERA


CD3

1 SOPHIE SOLOMON - BURNT BY THE SUN
2 ANDRÉS LINETZKY Y ERNESTO ROMEO - SENTIMIENTOS
3 DONNA MARIA - LADO A
4 MR.TEA - ARGENTINA MON AMOUR
5 JORGE BEN - MAS QUE NADA
6 DA LATA FEAT. NINA MIRANDA AND BAABA MAAL - DISTRACTED MINDS
7 MARIA DE BARROS - REGRESA
8 CHAMBAO - POKITO A POKO
9 OSMAN ISMEN - KALE
10 PICCOLA BANDA IKONA - TAGAMA
11 MARI BOINE - VUOI VUOI ME
12 ELENA ANDUJAR - PERDÍ LA VOZ
13 STOLEN BEAT - EVOLUCIONAR
14 MARIZA - PRIMAVERA
15 GORAN BREGOVIC - EDERLEZI
16 BOBAN MARCOVIC ORKESTAR - SAT (TIME)
17 !DELADAP FEAT. VOICE & MUSICIANS OF THE 17 HIPPIES - LAUTLOS (DUNKELBUNT REMIX)


CD4

1. LILA DOWNS - LA CUMBIA DEL MOLE
2. ANA BELÉN - QUE PENA
3. JARABE DE PALO - EL LADO OSCURO
4. ALIHAN SAMEDOV - MASAL GIBI / ROMANCE
5. ADRIANA CALCANHOTTO - PELOS ARES
6. LOS MOCOSOS - SEÑOR PRESIDENTE
7. VINICIO CAPOSSELA - CHE COSSE’ L'AMOR
8. DRAUMIR - SEEKING MY DISTANCE
9. DUNKELBUNT FEAT. AMSTERDAM KLEZMER BAND - LA REVEDERE
10. YURI BUENAVENTURA FEAT. ORISHAS - DONDE ESTARAS
11. JOSÉ MERCÉ - TE PINTARÉ
12. LOS DESTERRADOS - ALTA ES LA LUNA
13. SERTAB - ONE MORE CUP OF COFFEE
14. MIRIAM MAKEBA - A PIECE OF GROUND
15. ARNO ELIAS - EL CORAZON
16. SEZEN AKSU - SARI ODALAR
17. AYHAN SICIMOĞLU - PASA BABA

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Illusions

4 cd collector with 64 ambient tracks dreamily.
The casket "Illusions" is the continuation of 2 very successful collections of Compact Disc Club, Reflections of Silence and Emotions that have been released. Songs as "irritating" the imagination, songs that sound is completely different from that which we used to hear, songs that make her dreams us richer. Participants of the biggest names Ambient and electronic music as the Art of Noise, Madredeus, Loreena McKennitt, Zbigniew Preisner, Sarah Brightman, Adiemus, Sacred Spirit, Jean Michel Jarre, Evanthia Rempoutiska, Panayiotis Kalantzopoulos, Enigma, Vanessa Mae, Chris Spheeris, and others promise to make your trip unforgettable with a wonderful orchestral compositions but also dream voices. The trip becomes even more interesting with the participation of artists with oriental roots that add a completely different note in the collection. Here you will find the music from the film Amelie, The Double Life of speedwell, Fatal Passion, the singing of Loreena McKennitt "Tango to Evora" which in Greek diaskefase the Haris Alexiou (Tagko entitled To the Clouds ") as well as song Sara heard that the television advertising known supermarket.
The casket is accompanied by a rich package insert information for artists.

CD 1
1. JEAN MICHEL JARRE – OXYGENE PART 4
2. SARAH BRIGHTMAN – HAREM
3. ANTAEUS – BYZANTINE MEDITATION
4. ENIGMA – SADENESS
5. ADIEMUS – ADIEMUS
6. ELBOSCO – NIRVANA
7. VANESSA MAE – STORM
8. MYSTICA – CHINA
9. GOVINDA – A MODERN MANTRA
10. NASH DIDAN – A WINDOW OF MY DREAMS
11. PENGUIN CAFΙ ORCHESTRA – MUSIC FOR A FOUND HARMONIUM
12. SACRED SPIRIT – YANE-HEJA-HEE
13. DIVINE WORKS – DIVINE WORKS II
14. GEORGES BODOSSIAN & HAYOTZ HOKI – HAYASTAN, LA MΙMOIRE ΙTERNELLE
15. RICHARD CLAYDERMAN – BALLADE POUR ADELINE
16. CHRIS SPHEERIS – CULTURE
17. NACHO CANO – EL PATIO

CD 2
1. ZBIGNIEW PREISNER – DAMAGE FATALE (LIVE)
2. LOREENA MCKENNITT – TANGO TO EVORA
3. YANN TIERSEN – LA VALSE D’AMΙLIE
4. ΕΥΑΝΘΙΑ ΡΕΜΠΟΥΤΣΙΚΑ – ΜΕ ΤΗΝ ΠΛΑΤΗ (ΟΡΧΗΣΤΡΙΚΟ)
5. ALIHAN SAMEDOV – SEN GELMEZ OLDUN
6. CHRIS SPHEERIS – ENCHANTMENT
7. KHADJA NIN – FREE (SINA MALI, SINA DENI)
8. ΠΑΝΑΓΙΩΤΗΣ ΚΑΛΑΝΤΖΟΠΟΥΛΟΣ – CHRISTMAS EVE
9. KIRPI – THE SONG
10. MADREDEUS – ALFAMA
11. VITEK – INNER UNIVERSE
12. OFRA HAZA – MY ETHIOPIAN BOY
13. OMAR KHAIRAT – THE MEETING
14. OTTMAR LIEBERT & LUNA NEGRA XL – AGUA FRIA (COLD WATER)
15. RAHIL – THE LOST DREAM
16. JOSΙ LUIS ENCINAS – LUNA DE FIESTA
17. PENGUIN CAFΙ ORCHESTRA – DIRT
18. ΠΑΝΑΓΙΩΤΗΣ ΚΑΛΑΝΤΖΟΠΟΥΛΟΣ – PEPPERMINT (END TITLES)

CD 3
1. HILDEGARD VON BINGEN – VISION
2. ZBIGNIEW PREISNER – ENFER LA DOUBLE VIE DE VERONIQUE (LIVE)
3. LOREENA MCKENNITT – THE MUMMERS' DANCE
4. ΕΥΑΝΘΙΑ ΡΕΜΠΟΥΤΣΙΚΑ – ΚΑΛΟΚΑΙΡΙΝΗ ΒΡΟΧΗ
5. BURHAN ΦΗAL – BOSPORUS
6. FERNANDO ARBEX – LA SOLEDAD DE LA DUQUESA
7. CHRIS SPHEERIS – THE ARROW
8. MADREDEUS – HAJA O QUE HOUVER (LUX MIX)
9. BARBAROS ERKΦSE ENSEMBLE– BOSPHORUS BREEZE
10. ORHAN OSMAN – SISLI TEPE
11. CECILIA – THE PROTECTION SONG
12. LESIEM – INDALO
13. JEAN MICHEL JARRE – CHRONOLOGIE PART 4
14. ART OF NOISE – MOMENTS IN LOVE

CD 4
1. LESIEM – FUNDAMENTUM
2. OMAR KHAIRAT – A DATE WITH DESTINY
3. BALABAN – άSKάDARA GIDER IKEN
4. DJ KRUSH FEAT. KAZUFUMI KODAMA – DAY’S END
5. ROBBIE ROBERTSON AND THE RED ROAD ENSEMBLE – GHOST DANCE
6. APOLLO 440 AND BILLY MACKENZIE – PAIN IN ANY LANGUAGE
7. MYSTIC DIVERSIONS – A SCENT OF JASMINE
8. THE WALKABOUTS – THE TRAIN LEAVES AT 8 (TO TRENO FEVGUI STIS OKTO)
9. LESIEM – ROMA
10. OTTMAR LIEBERT – BULERIA DE LAS GOLONDRINAS
11. YASUHIRO KOBAYASHI – SARA
12. CHRISTOPHE GOZE – DREAM
13. CRAIG CHAQUICO – RETURN OF THE EAGLE
14. RICHARD CLAYDERMAN – EXODUS
15. WILLIAM AURA – BRIGHTER DAY

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Chris Turner feat. Claire Willis - Captured Fall

Label: Redux Digital
Catalog#: RDD016
Source: WEB
Release date: Apr-30-2009
Format: mp3
Quality: 320 kbps
Size: ~120 MB
Genre: Electronic
Style: Trance

Tracklist:
01.captured fall (original mix) [07:33]
02.captured fall (reorder remix) [08:10]
03.captured fall (sean truby remix) [08:33]
04.captured fall (sean truby dub mix) [08:33]
05.captured fall (colorspace shining mix) [09:00]
06.captured fall (colorspace shining dub) [09:00]

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Dub and Run - Yello

Label: Dub and Run
Catalog#: DAR01
Source: Vinyl, 12"
Release date: Apr-30-2009
Format: mp3
Quality: 320 kbps
Size: ~30 MB
Genre: Electronic
Style: Breakbeat / Dubstep

Tracklist:

A Yello (Darkside Mix)
AA Yello (Dubstep Mix)

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Silicone Soul - Silicone Soul

Label: Soma Quality Recordings / Play It Again Sam (PIAS)
Catalog#: SOMACD078
Source: CDDA
Release date: Apr-30-2009
Format: mp3
Quality: VBR kbps
Size: ~80 MB
Genre: Electronic
Style: Techno / Minimal

Tracklist:

01] koko's song 06:25
02] dust ballad ii 05:44
03] language of the soul 06:34
04] call of the dub 06:01
05] david vincent's blues 06:18
06] hurt people hurt people 07:29
07] the pulse 06:21
08] midnite man 06:29
09] seasons of weird 04:57
10] dogs of les ilhes 07:28



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ATB - Future Memories

Label: Kontor Records
Source: 2xCD, Album
Release date: May-01-2009
Format: mp3
Quality: VBR kbps
Size: ~190 MB
Genre: Electronic
Style: Trance / Chill / Progressive

Tracklist:

CD1

01. ATB - L.A.Nights
02. ATB - What about us
03. ATB - Swept Away
04. ATB - A new day
05. ATB - My everything
06. ATB - Summervibes with 9PM
07. ATB - Gravity
08. ATB pres. Josh Gallahan - Luminescence
09. ATB pres. Flanders - Behind
10. ATB - Future memories
11. ATB - Still here
12. ATB - My Saving Grace
13. ATB - Terra260273
14. ATB pres. Jades - Communicate

CD2

01. ATB - Talismanic
02. ATB - Missing
03. ATB - Horizon
04. ATB - Voices
05. ATB pres. Flanders- Behind (atb..s ambient mix)
06. ATB pres. Apple&Stone - Authentic Reaction
07. ATB - Careless
08. ATB - Twilight
09. ATB - Listen to me
10. ATB - Living life over
11. ATB - Silent meaning
12. ATB - Malibu Road


ATB Future Memories Making Of


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